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May 23 2018

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cumaeansibyl:

voidbat:

katdensetsu:

redscudery:

saunteringvaguelydownwards:

decemberpaladin:

sizvideos:

Video

I love how she almost drops it until she smells it and that flashbulb memory hits.

“Real isn’t how you are made,” said the Skin Horse. “It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real … Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.”

Margery Williams, The Velveteen Rabbit

Notice she says “who” it was and not “what” it was.

Im crying

sobbing and clutching my stuffed lion i have slept with nearly every night for 33 years. i can’t fathom being separated from him long enough to not recognize him on sight, but if you blindfolded me and held up things to smell, i’d know him just as quickly and as hard as she did.

Video link is broken so here it is on YouTube, and I was already sniffling but then I saw this in the comments:

“The teddy bear was given to Jessica’s mother as a baby shower gift. After a long life, the bear was no more than part of head and a torn apart body with no stuffing. After a month of research and scouring through 10,000 vintage teddy bears online, Jessica’s fiancee was finally able to obtain the missing pieces of the bear, and had have him brought back to life at the local Teddy Bear Hospital.“

So that’s why she didn’t recognize him – he’d been so damaged that they had to reconstruct him. And now I’m crying even harder.

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amyadamsource:

First Official Poster of ‘Sharp Objects’ (2018), dir. Jean-Marc Vallée.

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helensilivren:

So I am still in denial of Infinity war because I want to see them happy… 

Instagram | society6 | digital prints

May 22 2018

siriusc:

do you ever get stuck in between “it’s ok not to have everything on track i got time” and “i’ve already wasted my life at the ripe old age of 23”

WHY ARE YOU LONELY: A TEXT GAME - Mallory Ortberg

theglintoftherail:

WHY ARE YOU LONELY: CHOOSE ONE

  • FAILED TO NURTURE RELATIONSHIPS BORN OUT OF CONVENIENCE ONCE CHANGING CIRCUMSTANCES REQUIRED ACTIVE PARTICIPATION FROM YOU
  • WATCHED NETFLIX FOR SEVEN HOURS INSTEAD OF SLEEPING BECAUSE YOU HAVE ONCE AGAIN MISTAKEN INERTIA FOR REST
  • CONFUSED “SELF-CARE” WITH “SELF-INDULGENCE” AGAIN; YOU ARE INCAPABLE OF EXPERIENCING GENUINE REFRESHMENT OR RESTORATION BUT YOU DO SPEND A LOT OF MONEY AT NAIL SALONS
  • ONCE AGAIN CONFUSED “EMPATHY” FOR “TAKING RESPONSIBILITY” AND INVITED OTHERS TO UNLOAD THEIR EMOTIONAL BURDENS ON YOU WITHOUT FIRST ENSURING RECIPROCITY, WHOOPS
  • ANTICIPATORILY BLAMED OTHER PEOPLE FOR NOT CALLING YOU WITHOUT ONCE ASKING YOURSELF WHY YOU CAN’T CALL THEM
  • ASSUMING ANY TIME SPENT TOGETHER THAT YOU HAD TO INITIATE IS SOMEHOW LESS AUTHENTIC THAN REQUESTS FOR TIME SPENT TOGETHER THAT YOU ACCEPT
  • BELIEVE “PERIODICALLY EXPERIENCING THE HUMAN CONDITION” MEANS SOMETHING IS FUNDAMENTALLY BROKEN WITHIN YOU
  • CONSTANTLY LIE ABOUT YOUR FEELINGS THEN WONDER WHY YOU FEEL LIKE NO ONE KNOWS YOU
  • MISTAKENLY BELIEVE THAT NEGATIVE FEELINGS MUST BE MISTAKES EITHER TO BE AVOIDED OR FIXED RATHER THAN EXPERIENCED
  • DESIRE TO BE FULLY UNDERSTOOD WITHOUT THE CONCOMITANT WILLINGNESS TO FULLY EXPLAIN YOURSELF
  • BELIEVE TRYING AT SOMETHING A LITTLE BIT SHOULD RESULT IN INSTANT PERFECTION AND FIND YOURSELF HORRIFIED AND ASHAMED OF MAKING REALISTIC PROGRESS
  • TRY COCONUT OIL
  • CONVINCED THAT HONESTLY ADMITTING YOUR PROBLEMS WILL DRIVE PEOPLE AWAY BECAUSE NO ONE LIKES COMPLAINING SO INSTEAD YOU OFFER EVERYONE A PISS-POOR SIMULACRUM OF BEING EASY-GOING
  • STILL JUST WAITING FOR THINGS TO HAPPEN TO YOU INSTEAD OF EXPRESSING YOUR DESIRES ALOUD
  • THINK YOU’RE BEING PLAYFUL BUT ACTUALLY YOU JUST GET MEAN WHEN YOU DRINK
  • SPEND ALL YOUR TIME SAYING THINGS LIKE “EITHER’S GOOD” OR “DOESN’T MATTER TO ME” WHEN IN FACT ONLY ONE THING IS GOOD AND IT DOES MATTER TO YOU BUT YOU THINK “NOT EXPRESSING A PREFERENCE” IS THE BEST PERSONALITY TRAIT YOU HAVE TO OFFER OTHERS
  • PEOPLE ACTUALLY MORE AWARE OF YOUR BARELY-CONCEALED CONTEMPT FOR THEIR CHOICES AND RELATIONSHIPS THAN YOU THINK THEY ARE
  • NO GOOD REASON, SORRY

Mallory Ortberg plz stop laying my psyche bare for the world to see

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shurism:

The Avengers (2012) // Thor: Ragnarok (2017)

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hannahblumenreich:

dj, cue the jock jams, please

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freethebooty:

My graduation photos

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lmaonade:

i truly, without even a smidgen of irony, love the state of video game media

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zootart:

“Like dogs, Shianni.”

May 21 2018

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bev-nap:

If Iggy can’t get Noct to eat his veggies, at least he’ll eat his fruit!

This was a commission done for @loveiscosmicsin as a contest prize given out during @ignoctweek!

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estenzian:

choose your chris 

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c-bassmeow:

This is so cute I think I have a permanent smile

May 20 2018

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cinematographysource:

To a transgender woman, a wig is sacred. Its removal, particularly in public, recalls a time in life when she wasn’t able to inhabit her body on her own terms. In the case of “Tangerine,” the gesture is the ultimate mark of loyalty, as well as Alexandra’s tacit atonement for her transgression. But for Mya Taylor and Kitana Kiki Rodriguez - the trans actresses who portrayed Alexandra and Sin-Dee, respectively, and consulted Baker and co-writer Chris Bergoch on the script - it was tough to swallow. So much so, in fact, that Taylor and Rodriguez requested a closed set, not wanting any friends or spectators to witness the moment. Crew members stood in the parking lot outside the laundromat to ensure no one could see inside the building.

“They loved it and at the same time they hated it because it truly was a moment in which they’re completely stripped naked. In taking off their wigs, they were completely naked,” said director Sean Baker. “And I knew that, and that’s why the scene was written, because it was about the degree that one friend would go to for another friend.”

“I don’t get emotional on my own sets, but that was the one time in my entire career I started to tear up behind the camera,” Baker said. “Both of them were so incredibly brave at that moment, and I just hugged them afterward and said, ‘Thank you so much, I know that was very difficult to shoot, but I really feel that we got something special there.’”

Baker was right. Not only is it a heartfelt denouement for a movie that at times adopts the tone of a rollicking buddy comedy, but it will do as much to subtly inform audiences of the sensitivities of the transgender experience as anything else we’ve seen in entertainment yet. (x)

TANGERINE (2015) dir. Sean Baker

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